All female, all Japanese, and “All That Jazz.”

Grand Master Kiyokazu Kanze performs the oldest Noh play, Okina, a dance-based sacred rite, followed by the celestial springtime myth Hagoromo.

Grand Master Kiyokazu Kanze is a tragic madwoman searching for her lost child, plus a conman sells a sculpture, and lions dance at the Stone Bridge.

Grand Master Kiyokazu Kanze performs the oldest Noh play, Okina, followed by a 14th-century tale of a vengeful phantom.

Experience a rare U.S. performance of Okina, the oldest Noh drama, by Grand Master Kiyokazu Kanze, plus the exquisite lion dance of Shakkyo.

Double Olivier and Tony Award–winner Jonathan Pryce is Shylock in this critically acclaimed production.

Experience this “delectable and funny” (Le Monde) staging of Molière’s masterpiece, first performed for Louis XIV.

Like a giant graphic novel burst into life, Golem invites you into a dark and fantastical tale of an extraordinary, ordinary man.

The “smart and dazzling” new-music quartet (Village Voice) performs a stunning collection of music by three of today’s top living composers.

The specific timbres of metal are at the heart of this performance, which features a classic piece alongside more contemporary works.

Creatively used found objects, exotic artifacts, and traditional instruments expand the sound palette in pieces by three ingenious composers.

Double Olivier and Tony Award–winner Jonathan Pryce is Shylock in this critically acclaimed production.

Choreographer Christopher Wheeldon’s take on Shakespeare’s late romance is the work of an artistic visionary hitting his stride.

Grand Master Kiyokazu Kanze performs the oldest Noh play, Okina, a dance-based sacred rite, followed by the celestial springtime myth Hagoromo.

A 16th-century Ming Dynasty romance inspires an empowering tale of self-actualization in this visually stunning chamber opera.

All female, all Japanese, and “All That Jazz.”

Experience this “delectable and funny” (Le Monde) staging of Molière’s masterpiece, first performed for Louis XIV.

Choreographer Christopher Wheeldon’s take on Shakespeare’s late romance is the work of an artistic visionary hitting his stride.